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Among those present when the sample as cut from the shroud were Cardinal Anastasio Ballestrero (Archbishop of Turin), Professor L. The laboratories were not told which container held the shroud sample.Gonella (Department of Physics, Turin Polytechnic and the Archbishop's scientific adviser), two textile experts (Professor F. Because the distinctive three-to-one herringbone twill weave of the shroud could not be matched in the controls, however, it was possible for a laboratory to identify the shroud sample.

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Zurich precleaned the sample in an ultrasonic bath.

After these initial cleaning procedures, each laboratory split the samples for further treatment.

But the three laboratories undertook not to compare results until after they had been transmitted to the British Museum.

Also, at two laboratories (Oxford and Zurich), after combustion to gas, the samples were recoded so that the staff making the measurements did not know the identity of the samples. On the basis of the Islamic embroidered pattern and Christian ink inscription, this linen could be dated to the eleventh to twelfth centuries AD. Linen from the collection of the Department of Egyptian Antiquities at the British Museum, associated with an early second century AD mummy of Cleopatra from Thebes (EA6707).

Testore of Department of Materials Science, Turin Polytechnic and G. If the samples had been unravelled or shredded rather than being given to the laboratories as whole pieces of cloth, then it would have been much more difficult, but not impossible, to distinguish the shroud sample from the controls.